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#11
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ok. Sounds like its not the heat, not the clay.What about the tls and the
diluent....did you shake/stir more/less either of those things? Use a brush still wet from washing? I'm fearing that its going to come down to my Mom's theory---it all has to do with the way you were holding your mouth at the time. Can-openers, machines of all sorts--they only work right when you hold your mouth right. (According to Mom) Sarajane Sarajane's Polymer Clay Gallery http://www.polyclay.com |
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#12
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Dawn, if you need something to put a satin or matte finish on the clay, try
Golden's Polymer Varnish with UVLS. It comes in Satin, matte and gloss and I love the stuff. Now before I go further, this is all my opinions from my testing and experience up to now. Golden Polymer Varnish comes in Matte, Satin and Gloss so Flecto- Varathane just lost a customer. I much prefer Golden Polymer Varnish over Flecto. I can see no advantage to using Flecto now over this product. Golden flows better, more consistent thickness, has a lot fewer bubbles, does not separate out so it has to have heavy duty mixing. It really does appear to become part of the clay with a little heat and very hard. I think it is harder to scratch it than the Flecto---although I cannot be certain. I tried to test this, but this is a very hard thing to test accurately. The Golden Polymer Vanish matte is the first truly matte finish product that I have ever found for use on polymer clay. It is sooooo matte that I cannot even describe it! So go get some. I cannot believe I have hassled with Flecto when this product was out there! The bottles say that the Golden can be thinned with water 20-40% for brushing and up to 100% if spraying. I tried to thin it, but like it as it is better. And the different types---gloss, matte, and satin can be combined to get the perfect sheen you are looking for. For more info http://www.goldenpaints.com/polvar.htm -- http://www.heartofclay.com eBay auctions http://members.ebay.com/aboutme/vintagenet2/ "Dawn" wrote in message . com... This was the final bake just to add the TLS.. Everything had already been baked several times. I used the same method for baking as I always do and had done on this figure. They were alone in the oven and I was using the same batch of clay that other figures had come from. The I tried a higher temperature bake on some test clay. The clay was scorched around the edges but the area that I applied the TLS mix to was still matte. -- Dawn Stubitsch http://www.thumbprintkids.com http://www.thumbprintkids.com/pages/caketoppers.htm http://www.thumbprintkids.com/pages/...0guidlines.htm "Sjpolyclay" wrote in message ... Dawn, was anything else in the oven with it? Maybe you have checked all the baking variables , though I'm still wondering about a short temp flux---high heat does sometimes melt the clay into shiny-ness before scorching it. Next would be the clay itself---was it sitting around, or fresh out of the wrapper? Did you try the reoccuring experimental pieces out of the very same clay? Sarajane Sarajane's Polymer Clay Gallery http://www.polyclay.com |
#13
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Hi,
I used to work in a coffee store where the espresso beans varied in their oiliness depending upon how humid the weather had been on the day they were roasted. I wonder...do you recall what the weather was like on the day the face was shiny? Or were you cooking or doing laundry or something else that might have created greater humidity that day? (I'm suggesting this without knowing if humidity has any visible effect on baking clay and finishes, mind you...has anyone ever noticed any?) Randie Dawn ) wrote: : This was the final bake just to add the TLS.. Everything had already been : baked several times. I used the same method for baking as I always do and : had done on this figure. They were alone in the oven and I was using the : same batch of clay that other figures had come from. The I tried a higher : temperature bake on some test clay. The clay was scorched around the edges : but the area that I applied the TLS mix to was still matte. |
#14
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I really don't know what may have affected this. I've racked my brain to
find even the tinyest thing that I did differently than I usually do and I just can't. I have been doing this for a couple of years now under all kinds of varied conditions, seasons, temperature, humidity, etc. and this has never happened. I've used TLS with diluent many times and it was always matte. I even went so far as to mix in some Fray Check that I had on my table thinking that maybe I reached for that accidentally in a moment of claying stupor but it just bubbled up and had no shine. I don't think I'm going to find an answer to this one until it happens (if) again and I can figure out the difference. In the mean time if it happens to any one else I'd like to know. Maybe they can pin point a cause. -- Dawn Stubitsch http://www.thumbprintkids.com http://www.thumbprintkids.com/pages/caketoppers.htm http://www.thumbprintkids.com/pages/...0guidlines.htm "Randie Feil" wrote in message ... Hi, I used to work in a coffee store where the espresso beans varied in their oiliness depending upon how humid the weather had been on the day they were roasted. I wonder...do you recall what the weather was like on the day the face was shiny? Or were you cooking or doing laundry or something else that might have created greater humidity that day? (I'm suggesting this without knowing if humidity has any visible effect on baking clay and finishes, mind you...has anyone ever noticed any?) Randie Dawn ) wrote: : This was the final bake just to add the TLS.. Everything had already been : baked several times. I used the same method for baking as I always do and : had done on this figure. They were alone in the oven and I was using the : same batch of clay that other figures had come from. The I tried a higher : temperature bake on some test clay. The clay was scorched around the edges : but the area that I applied the TLS mix to was still matte. |
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