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Cross stitch design dilemma
I've been dipping my toes into the cross stitch pool lately, after an
absence of more than a decade spent solely with needlepoint. To be frank, I never attained the mastery level of cross stitch to which so many of you belong, but I did produce some pieces which were pleasing to me and others. I now want to produce pieces utilizing various cross stitch alphabet designs and favorite pithy phrases and maxims, and therein lies my problem. The use of graph paper to sketch designs seemed at first to be the right approach, but I find myself starting a design in pencil, only to realize fairly quickly that I misjudged the center of the first line of the design. I regroup and either erase or begin on another sheet of paper, and then, if I'm lucky enough to get the first line down, the next line presents the same problem as the first, with an additional problem thrown in for good measure - the distance from the first line to the second, which I nearly always misjudge. The erasing and starting over are maddening, and I'm not simply "eyeballing" the line centers and distances from one line to the next - I'm actually counting x's in each letter's design to correlate with the squares in the fabric. Is there a less painful method of producing a design comprised of only words? Betty in Georgia |
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Cross stitch design dilemma
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Cross stitch design dilemma
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#5
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Cross stitch design dilemma
Sharon wrote: I now want to produce pieces utilizing various cross stitch alphabet designs and favorite pithy phrases and maxims, and therein lies my problem. The use of graph paper to sketch designs seemed at first to be the right approach, but I find myself starting a design in pencil, only to realize fairly quickly that I misjudged the center of the first line of the design. I regroup and either erase or begin on another sheet of paper, and then, if I'm lucky enough to get the first line down, the next line presents the same problem as the first, with an additional problem thrown in for good measure - What works for me is to use 4x4 paper (4 squares to the inch) to do my initial spacing. Once I've gotten my letters/words looking okay to me, then I count and center/transfer to smaller graph paper. I work in pen and if I "blow" a line/letter, I'll just start over down a mite -- So if I'm writing Mother for instance, and mess up the "t" I'll just move down the paper (below and one space over from the "o" for instance) until I get to the end of the word. AFTER the lines are complete, then I transfer to the real pattern. Here's My Heart: http://www.janice142.com/JoyPage/Needlecase.htm That's a Patrick's Woods design, with wording replaced, beading changed a bit -- there were a few tweaks to make it mine. Still, it was a fun pattern, though quite complicated. Also, when working with "jumbles" so to speak, where all the letters are sort of mish-mashed together, then I use pencil and fill in the rows that don't work out perfectly with fancy stitches -- perhaps a row of long-armed cross-stitches or maybe a miniature geometric design of some sort. Nothing fancy, but it does even things up. Besides, this is supposed to be fun. My stuff might not be perfect but I have a perfectly wonderful time making it. (grin) Happy Stitching! |
#6
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Cross stitch design dilemma
-- Joan and Mike O'Brien Any day you can sit up and take nourishment is a good day, anything beyond that is a bonus. "Sharon" wrote in message ups.com... wrote: I've been dipping my toes into the cross stitch pool lately, after an absence of more than a decade spent solely with needlepoint. To be frank, I never attained the mastery level of cross stitch to which so many of you belong, but I did produce some pieces which were pleasing to me and others. I now want to produce pieces utilizing various cross stitch alphabet designs and favorite pithy phrases and maxims, and therein lies my problem. The use of graph paper to sketch designs seemed at first to be the right approach, but I find myself starting a design in pencil, only to realize fairly quickly that I misjudged the center of the first line of the design. I regroup and either erase or begin on another sheet of paper, and then, if I'm lucky enough to get the first line down, the next line presents the same problem as the first, with an additional problem thrown in for good measure - the distance from the first line to the second, which I nearly always misjudge. The erasing and starting over are maddening, and I'm not simply "eyeballing" the line centers and distances from one line to the next - I'm actually counting x's in each letter's design to correlate with the squares in the fabric. Is there a less painful method of producing a design comprised of only words? Betty in Georgia Whenever I want to do such a thing, I go to the trusty old computer, find the function key that will centre stuff - it does not come to mind right now - but I have a bunch of little lines in a toolbar at the top of the page and when I click that I can write whatever I want, end line whenever I want and so on - it will centre each line for you ... it helps a bit more when you're trying to graph something out on paper - at least you know what letters should be under what letters - man, that's probably as clear as mud. I know there's graph paper on this old machine somewhere too, I just haven't taken the time to figure it all out. I know there are people who are much more computer literate than me that could probably tell you exactly how to do it - beg a little. :-)) Sharon (N.B.) Now, once you use sharon's idea in place and have a printed copy with whatever colours you would like it's time for sneaky step two. Have a sheet of graph paper in the size you want (4 to the inch or ten or whatever appeals to you) transfered to an overhead projector plastic sheet. Place the plastic over your print of your project and photocopy using a colour copier at your local business outlet. |
#7
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Cross stitch design dilemma
Prepare yourself a table of letters where you write above and beside
each letter , how many x it has in the width and height. than count your threads ,,, calculate how many x you have to have for your width , and than distract this number from the number of the threads in the cloth , than divide the rest into number of threads in space between letters ,,, mirjam I've been dipping my toes into the cross stitch pool lately, after an absence of more than a decade spent solely with needlepoint. To be frank, I never attained the mastery level of cross stitch to which so many of you belong, but I did produce some pieces which were pleasing to me and others. I now want to produce pieces utilizing various cross stitch alphabet designs and favorite pithy phrases and maxims, and therein lies my problem. The use of graph paper to sketch designs seemed at first to be the right approach, but I find myself starting a design in pencil, only to realize fairly quickly that I misjudged the center of the first line of the design. I regroup and either erase or begin on another sheet of paper, and then, if I'm lucky enough to get the first line down, the next line presents the same problem as the first, with an additional problem thrown in for good measure - the distance from the first line to the second, which I nearly always misjudge. The erasing and starting over are maddening, and I'm not simply "eyeballing" the line centers and distances from one line to the next - I'm actually counting x's in each letter's design to correlate with the squares in the fabric. Is there a less painful method of producing a design comprised of only words? Betty in Georgia |
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Cross stitch design dilemma
Many, many thanks to all for the wonderful suggestions and tips, and a
special thanks to Jessie for the private email loaded with recommendations and tips. I can now see myself being extricated from this quagmire. This is a wonderful group of knowledgeable, helpful souls. Betty in Georgia "Mirjam Bruck-Cohen" wrote in message ... Prepare yourself a table of letters where you write above and beside each letter , how many x it has in the width and height. than count your threads ,,, calculate how many x you have to have for your width , and than distract this number from the number of the threads in the cloth , than divide the rest into number of threads in space between letters ,,, mirjam I've been dipping my toes into the cross stitch pool lately, after an absence of more than a decade spent solely with needlepoint. To be frank, I never attained the mastery level of cross stitch to which so many of you belong, but I did produce some pieces which were pleasing to me and others. I now want to produce pieces utilizing various cross stitch alphabet designs and favorite pithy phrases and maxims, and therein lies my problem. The use of graph paper to sketch designs seemed at first to be the right approach, but I find myself starting a design in pencil, only to realize fairly quickly that I misjudged the center of the first line of the design. I regroup and either erase or begin on another sheet of paper, and then, if I'm lucky enough to get the first line down, the next line presents the same problem as the first, with an additional problem thrown in for good measure - the distance from the first line to the second, which I nearly always misjudge. The erasing and starting over are maddening, and I'm not simply "eyeballing" the line centers and distances from one line to the next - I'm actually counting x's in each letter's design to correlate with the squares in the fabric. Is there a less painful method of producing a design comprised of only words? Betty in Georgia |
#9
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Cross stitch design dilemma
Mike & Joan O'Brien wrote: Have a sheet of graph paper in the size you want (4 to the inch or ten or whatever appeals to you) transfered to an overhead projector plastic sheet. Place the plastic over your print of your project and photocopy using a colour copier at your local business outlet. Or even easier, is have some pre-printed graph paper, put that into the copier and copy your design right onto the graph. No messing with the plastic sheet. I've done this a number of times. There is a bit of futzing with how you want to do edges of things but, in general, it's not too bad. IME, that is. I've even taken pictures (nothing copyrighted) from the 'net, copied them onto a word document, printed them on graph paper and stitched them. You can see I couple of projects I did this way if you look at my webshots album: http://tinyurl.com/hhokr The projects are the fonts on "Road to hell" (about half way down), the horse on my @badge (near the bottom) and the chair on the bookmark at the end. HTH and good luck! Joan |
#10
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Cross stitch design dilemma
Joan, thanks for your great ideas and photos. I'm so envious of your
talent - I'll never get to your level of expertise. I'm chomping at the bit now to get going with all the help I've received from you and the others who have been kind enough to provide pointers. Thanks ever so much. Betty "Joan E." wrote in message oups.com... Mike & Joan O'Brien wrote: Have a sheet of graph paper in the size you want (4 to the inch or ten or whatever appeals to you) transfered to an overhead projector plastic sheet. Place the plastic over your print of your project and photocopy using a colour copier at your local business outlet. Or even easier, is have some pre-printed graph paper, put that into the copier and copy your design right onto the graph. No messing with the plastic sheet. I've done this a number of times. There is a bit of futzing with how you want to do edges of things but, in general, it's not too bad. IME, that is. I've even taken pictures (nothing copyrighted) from the 'net, copied them onto a word document, printed them on graph paper and stitched them. You can see I couple of projects I did this way if you look at my webshots album: http://tinyurl.com/hhokr The projects are the fonts on "Road to hell" (about half way down), the horse on my @badge (near the bottom) and the chair on the bookmark at the end. HTH and good luck! Joan |
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