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[Ganoksin] [Issue #137] Tips From The Jeweler's Bench
The Ganoksin Project
S i n c e 1 9 9 6 Jewelry Manufacturing Methods and Techniques http://www.ganoksin.com ------------------------------------------------------------------------- Imagine a world in which every person has free access to the sum of all human knowledge. That's what we're doing. And we need your help. Take action now and ensure that we can continue to provide the same level of service you and thousands of people each day have come to appreciate. With your financial support, the Orchid community will continue to flourish and grow! Please consider setting up an Orchid subscription account. Donate: Safe, easy, secure! http://www.ganoksin.com/donate Thank You! Hanuman ------------------------------------------------------------------------- In This Edition: 1. Fruits of Labor - Chihiro Makio Creates a Natural Beauty 2. Enameled Miniature Clock Cases 3. Tie Pins - Yesterday's Fashion Rediscovered for Today 4. 950 Palladium: Emerging White Metal of Choice 5. 950 Palladium: Making a 3-Stone Ring 6. Industrial Liquid Enamels - How to Mix Them 7. Tanzanite - A blue and purple beauty 8. Lapidary Work Safety Notes ------------------------------------------------------------------------- In This Edition of Tips From The Jeweler's Bench http://www.ganoksin.com/borisat/tip_sear.htm ------------------------------------------------------------------------- Resource Page in the First "Orchid in Print" Book Opportunity for Orchid Sponsors! Purchase a Specially Priced Resource Page in the First "Orchid in Print" Book: "Making the Most of Your Flexible Shaft" by Karen Christians A collaboration between The Ganoksin Project and MJSA/AJM Press, Making the Most of Your Flexible Shaft explores all aspects of choosing, maintaining, and using the most-common tool on the jeweler's bench. - Choosing the Proper Motor & Foot Pedal - Choosing the Proper Handpiece - Choosing the Proper Bur - Cutting Drills & Discs - Abrasives & Grinding Wheels - Finishing - Beyond the Bench: Tips from the Orchid Library A full-page ad costs only $950, and will last for the lifetime of the book. Current sponsors include Rio Grande, Foredom Electric Co., and 3M Inc. Make sure your customers see your company! Distribution Books will be marketed and sold through Ganoksin (which monthly receives 300,000 unique targeted visitors to its Web site), the Orchid Digest, MJSA and AJM Magazine, and the following leading consumer and industry distributors: - Amazon.com - Bench Media - Charon Kransen Arts - Esslinger & Co. - FDJ on Time - Gesswein - GIA - House of Jewellery (Australia) - Kassoy - Otto Frei - Rio Grande - SEP Jewelry Tools of Chicago - Stuller "Orchid in Print " books will also be marketed at leading industry trade shows, including JCK Las Vegas, Expo New York, and AGTA GemFair, in conjunction with flex-shaft demonstrations incorporated into AJM'S At the Bench Live series. Guarantee that your customers see your name-and support The Ganoksin Project and Orchid at the same time! See "Mechanical specs" and "About Orchid in Print" below for more information, or contact Rich Youmans, MJSA/AJM Press, at 1-800-444-6572, ext. 3025, . Mechanical Specifications for Making The Most of Your Flexible Shaft - Trim Size of Book: 8.5" by 5.5" - Ad Size: 8" by 5" - Word Count: Approximately 200 (with two-three photos) - Color: Full color - Headline: Optima font, 26 pt, 31 pt leading (if two lines) - Text: Garamond font, 10 pt, 17 pt leading - Logos: Send as 300 dpi EPS or TIF files. - If Sending Text and Photos for MJSA to Design: Send text in a Word document and photos as 300 dpi TIF or JPG images at full size. If Sending Completed Advertorial: Send as QuarkXPress, InDesign, or High Resolution PDF document. ------------------------------------------------------------------------- 1. Fruits of Labor - Chihiro Makio Creates a Natural Beauty By John Shanahan One of the more difficult challenges Chihiro Makio of 314 Studio in Jamaica Plain, Massachusetts, faced when creating her "Orange Necklace" was getting the citrus-themed elements to sit properly on the wearer's neck. The piece comprises roughly 30 three-dimensional elements, some shaped like oranges and others like leaves, and deciding how to best get them to sit in harmony with one another took some doing.... Complete Story: http://www.ganoksin.com/borisat/nena...hiro-makio.htm ------------------------------------------------------------------------- 2. Enameled Miniature Clock Cases By Erika Speel Small ornamental clocks were among the medium priced ornamental objects that were in huge demand in the 19th century. This gave opportunities for enameled decorations to be added for a valuable, individualistic appearance for every piece, even when the actual metal clock housings were mass produced to a standard format. One of the most successful styles was the copying in miniature of the larger, square-cased portable clocks widely used in the 19th century and known by their French name of pendules portative or otherwise as carriage clocks. These had the important attribute that the movements did not lose accuracy when these clocks were moved about. This was a breakthrough of the period in clock design and the clock cases were made to be robust and with swing handles.... Complete Story: http://www.ganoksin.com/borisat/nena...ture-clock.htm ------------------------------------------------------------------------- 3. Tie Pins - Yesterday's Fashion Rediscovered for Today By GZ Art+Design Like many decorative accessories, tie tacks exist because they have a practical function. The fabric, structure, and cut of the cravats of earlier eras meant that the arrangement had to be pinned in place. Back in the 18th century, when fashion followed the style set by Beau Brummel, the folds of a cravat were very important. The pin imparted an additional elegance and color to the appearance and was often lavishly designed.... Complete Story: http://www.ganoksin.com/borisat/nenam/tie-pins.htm ------------------------------------------------------------------------- 4. 950 Palladium: Emerging White Metal of Choice By Mark and Lainie Mann Of late, an increasing number of white precious metal alloys have been introduced into the jewelry marketplace in answer to industry cries for a true white counterpart to the ever popular yellow gold. The search has been on for a workable white alloy that stays white, is hypoallergenic and priced more agreeably than the often prohibitive platinum. Alloys emerging include mixtures of 50/50 platinum and palladium, '585 platinum' with cobalt and copper and several alloy combinations in between. Surveys indicate consumers appreciate the purity of 900 to 950 platinum, and would prefer the purity of a 950 palladium alloy if considering an alternative.... Complete Story: http://www.ganoksin.com/borisat/nena...dium-intro.htm ------------------------------------------------------------------------- 5. 950 Palladium: Making a 3-Stone Ring By Mark B. Mann When heated to high heat soldering temperatures, some 950 palladium alloys will develop a bluish-purple surface discoloration. It's easily removed by briefly and mildly heating the piece with a neutral flame. When palladium is heated to gold soldering temperatures, no surface discoloration occurs.... Complete Story: http://www.ganoksin.com/borisat/nena...0palladium.htm ------------------------------------------------------------------------- 6. Industrial Liquid Enamels - How to Mix Them By Woodrow Carpenter Industrial liquid enamel is a versatile material. It can be used as a base coat, directly on the metal, or as subsequent coats. It can be used to coat one side at a time, or both sides at the same time. It can be applied by pouring, dipping, daubing with a brush, spraying, ear syringe, and more.... Complete Story: http://www.ganoksin.com/borisat/nena...id-enamels.htm ------------------------------------------------------------------------- 7. Tanzanite - A blue and purple beauty By Arthur Anton Skuratowicz and Julie Nash Due to tanzanite's fragile nature, the stone is very easy to abrade, scratch, or chip during the setting process. When hammering or tightening a tanzanite, use great care and develop a habit of regularly checking for proper fit and metal contact with the stone as you go. Abrasions and scratches often occur during the final prong shaping. Therefore, shape the prongs as much as possible before setting the stone. Once the stone is set, finish any shaping with a safety-edge file.... Complete Story: http://www.ganoksin.com/borisat/nena..._tanzanite.htm ------------------------------------------------------------------------- 8. Lapidary Work Safety Notes By Charles Lewton-Brain Goldsmiths sometimes do a little rough and ready lapidary work with emery and leather sticks or even polishing compounds on a hard buff. Some goldsmiths, however, are lapidaries as well as jewelers. Lapidary work involves the grinding of gem materials on a series of grinding wheels and belt sanders, usually wet, with water cycling in the system. Polishing compounds and pastes are made of various chemicals and abrasives.... Complete Story: http://www.ganoksin.com/borisat/nena...ary-safety.htm ------------------------------------------------------------------------- Put an Orchid on your Bench Join the most popular online community for jewelery makers, The Orchid forums at http://www.ganoksin.com/orchid ----------------------------------------------------------------------- The Ganoksin Project (http://www.ganoksin.com) is the largest virtual single information source for searchable archived content for jewelry and metals in the world. Its 5,500 Orchid members foster sharing, support community, enhance productivity and encourage studio safety, by promoting education in the jewelry and metal arts worldwide. ------------------------------------------------------------------------ |
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