If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. |
|
|
Thread Tools | Display Modes |
#71
|
|||
|
|||
I completely agree.
-- Kandice Seeber Air & Earth Designs http://www.lampwork.net "Kalera Stratton" wrote in message ... Ah, but if buyers get to sign up on a monthly basis depending on what artist is doing that particular month, then they're basically just buying a bead from that artist, rendering the bead-of-the-month-club moot. I think it would only work if people signed on for, say, 3-month minimums. As for paying up front, I don't think people should expect more for doing that, because I for one have never seen a bead seller who offered E-Z Financing! Buying sight-unseen, though, is a different story. A'la Rent-a-Tink, it eliminates all kinds of merchandising for the beadmaker, and so the buyer should definitely benefit from that. -Kalera http://www.beadwife.com http://www.snipurl.com/kebay Kandice Seeber wrote: LOL - a conundrum - yes, totally. And I agree with the part about the subscriber being able to get a little more for buying the beads sight unseen, and for paying up front. It's definitely a risk for them. That's why I think there is a happy medium that might work out for everyone. It's finding that happy medium that's interesting and might be difficult. Personally, I would do this if the following happened: The cost per person is $20-$35, with shipping included. The artist has total artistic license, with the knowledge that each person gets around the same caliber of beads, and that caliber was agreed upon beforehand. The subscribers have complete understanding about what they are paying for. The artists would facilitate that by stating in advance the quality of beads they would make in general. The artists would receive the money before shipping out the beads. I don't think I can go for the monthly payment thing, because I think the number of subscribers would change every month, and some artists would make more than others, not necessarily based on their own output. For instance, if artist A only has 30 people signed up for their month, and artist B has all 50 signed up, and they both got the same share of money for each month, artist B would be making more beads for less money. I hope that makes sense. I think subscribers will likely pick and choose a month based on which artist is signed up for that month, and some artists might have more demand than others. The amount of money needs to reflect that, otherwise it's not fair to the artists. This is based on what Starlia is saying in the WC thread about subscribers being able to sign up quarterly, monthly or yearly. If we only allow a yearly subscription, then there would be total commitment, and the artists would be able to split the cost evenly as originally stated. |
Ads |
#72
|
|||
|
|||
Well, I don't know if the original intent for this was to keep new people
interested - I think we have a lot of that already. Tina, $10 for a small focal or even an accent including shipping is way too low. And I am not the only one who thinks so. Shipping out one single bead for $10 is just, well, not worth it. And doing that 50 times is really not worth it. For me, it costs the same amount to ship one bead as it does to ship 20 to one person. I'm paying for packing materials, postal costs and time. You cannot compare sets to singles for this reason. If you're buying a set from someone, $5 to $10 per bead doesn't seem that unreasonable. But if you consider the increase in cost of shipping 20 beads to one person to 20 beads to 20 people, that's a huge difference. I know you are looking at things from a cosumer point of view, and that's fine, because I know you're not a lampworker. I don't think you are understanding the artist's point of view, though. And just because something is prices a certain way on auction, does not mean people can get that price elsewhere. Personally, the cost for listing on auction is very low, and the time it takes to ship a single bead to many people is way more than the time it takes to take pics of sets of beads. Even when people were ordering from me, I asked that they pay shipping on orders below $25. I absorb shipping on items above $25 because then shipping is pretty low. I will do this for $20 or more. But I will not do it for less than that. $10 is just out of the question for me. Just my own opinion - other artists may feel completely different, and I certainly understand that. Different stuff works for different people. -- Kandice Seeber Air & Earth Designs http://www.lampwork.net I think Carla's original suggestion was aimed at new bead collectors/users, and thus indicated a lower price and lower expectations. Probably what I'd call an accent bead. This would not be my own preference. On the other hand, if I pay $25 for focals, I want more control of what I buy. So this would not be my preference either. I think for me, I'd want to know who the artists are, and then I'd want a moderately priced upgrade accent bead. Basically a small, simple focal. The sort of thing you often find in a group of "orphans". Like the ones I got from Michelle Eilts. Or some I have from Mary Ann Williams (at $5 @). I have a set of 5 small red beads with black stringer and dots from Lori Greenberg. I have Jerri Roey's maze beads in turquoise at about that price per bead. Heather Davis beads at $5. Susan Burwash fauxpals at $6 @ for BIN. 9 Liz Johnston (Aristotle's Lantern) flowers, etc for $40. Mountain Morning beads. Nisha beads. These are all good beads from good artists. I wouldn't realistically suggest $5 @ for these beads as onesies. But, if the point is to reach out to people newly interested in lampwork, $10, including postage is a very reasonable compensation for the artist. And it can be a way to get new customers for the more sophisticated beads. And yes, these are eBay prices, but with the prepaid beads there are no retail costs -- for listing, photographing,rent, etc. Tina "Kandice Seeber" wrote in message ... Price also depends on quality, technique, colors used, popularity and so many other things. You may not think that $5 or $10 is low, but I think you will be hard-pressed to find an artist who would agree with that. Why on earth would an artist want to absorb the cost of shipping out 50 separate beads for that little?? $5 would not cover the cost of shipping and time for one single bead, even if the bead were simple. It just wouldn't. $25-$35 for a set of 5-7 beads... You might find these on ebay or justbeads, which are *wholesale markets* to many, but it would be hard to find examples of this pricing on websites. And if such low priced sets exist, one needs to look at the factors which make the sets such a low price. Again - quality, technique, colors used, popularity of the artist or the type of beads, difficulty of the beads, etc., the venue where the beads are sold, etc. All the artists joining in will have to agree to a price and to a type of bead that fits the price. That's going to be hard, I think. I'm not trying to be a lampworking snob here. I'm being realistic. There's got to be something beneficial here for the artists as well as the subscribers. And no matter how you look at this, it is *still production work*. There's a deadline, a number of beads, a type of bead and a price point for the bead. There's a commitment. Some artists don't do this very well. Some artists love it. -- Kandice Seeber Air & Earth Designs http://www.lampwork.net Not picking on you, Kandice. Yours is simply the last in this thread I've read. You know, I have bought lots of sets of beads in the $25 to $35 range, that include 5 to 7 beads -- in boro, or pokes or raised dots. Heather Davis's Cameo roses beads are about $5 each. I have a set of poppies by Waimea Mist that was $60 for 5 sculptural flowers and 6 sculpted bud accent beads, plus spacers. So I don't think $5 to $10 is outrageously low. Also, for beadmakers who do not have a following, it would be a really cool thing to have some reliable income. Tina "Kandice Seeber" wrote in message ... Yes, true. Which might work for me if the charge was around $20 - $30 (which means no more than 1-2 beads per person). I'm still thinking about it - and am interested to see what others think as well. If there's enough interest, it sounds like something worth doing. -- Kandice Seeber Air & Earth Designs http://www.lampwork.net Kandice, If you have 50 paid subscribers for the year, and you know when your (the artist's) month is, you have until then to get the 50 beads made. That is, they're all due in one month, but you don't have to make them all in one month, right??? Unless, of course you're the first artist on the rotation. Perhaps y'all might want to build in a (possible) 6-week delay from time of subscription to shipment of first month's beads. But, if you know in May that you'll need 50 beads for the club in September, you can spread out your production across 4 months. No? Alison "Kandice Seeber" wrote in message ... Right, but it would have to be all in one month. And depending on the cost, it might be more than one bead per person. -- Kandice Seeber Air & Earth Designs http://www.lampwork.net The artists would rotate months. You would make 50 beads a year, period. "Kandice Seeber" wrote in message ... A $5 bead from me would be a simple scroll bead of medium size. But the customer would have to pay for shipping. And to be honest, one simple bead per month is just not worth it for either the artist or the customer, IMO. And 50 scroll beads would be a major production nightmare for me. However, something in the neighborhood of $20 to $30 per month, with full artistic license might work. One focal bead or maybe a very small set. But it's still production work. It's like doing beads for a show. And $80 a month would be amazing, but that's a lot of beads in one month. $80 would buy someone 10 or 11 beads in general, and that multiplied by 50 people is mind boggling. 500 - 550 beads. Yep, that's pretty much what I have been doing for the last three months, and I have no desire to do that again. That kind of production work is not my cup of tea. I'd love to bounce around this idea a little more though - it's kind of fun to think about. -- Kandice Seeber Air & Earth Designs http://www.lampwork.net I understand the limited finances - I am there too. But the artists also need to be paid what their beads are worth. See, I'm thinking of the artists. And the customers who're flush enough to actually be patrons of the arts. I'm not thinking of the people who want to get beads for almost-nothing. To me, the idea of getting a bead a month for $5 is a ripoff of the artist. To ME. ~~ Sooz ------- "Those in the cheaper seats clap. The rest of you rattle your jewelry." John Lennon (1940 - 1980) Royal Varieties Performance ~ Dr. Sooz's Bead Links http://airandearth.netfirms.com/soozlinkslist.html |
Thread Tools | |
Display Modes | |
|
|
Similar Threads | ||||
Thread | Thread Starter | Forum | Replies | Last Post |
AD - Limeberry & Fashionista Pink | Kandice Seeber | Beads | 9 | February 22nd 04 01:10 PM |
"Cotton Pink" Beads | Margie | Beads | 9 | January 29th 04 04:43 AM |
AD - Classy Coral & Pink | Kandice Seeber | Beads | 21 | January 16th 04 05:35 AM |
AD: Michael O'Barley's Ceilidh and Blushed Pink and Black | Susan B. | Beads | 8 | October 5th 03 01:46 AM |
AD: New lampwork auction - for pink and black lovers | Kandice Seeber | Beads | 11 | August 3rd 03 11:26 PM |